Pith. Caloundra Regional Art Gallery

Collections cast. 2019. Framed dark and milk chocolate. 60 x 60 x 3cm. Caloundra Regional Gallery, Image: Carl Warner
Collections cast. 2019. Framed dark and milk chocolate. 60 x 60 x 3cm. Caloundra Regional Gallery, Image: Carl Warner
Pith, installation documentation. Caloundra Regional Gallery, Image: Carl Warner
Surfaced (no.1 and no.2). 2019. Giclée print on cotton paper. 100 x 100cm. Caloundra Regional Gallery, Image: Carl Warner
Pith, installation documentation. Caloundra Regional Gallery, Image: Carl Warner
Endless host (no.1).. 2019. Hand carved mango, pecan, lilly pilly timbers, and glass. 120 x 120 x 70 cm. Caloundra Regional Gallery, Image: Carl Warner
Endless host (no.1).. 2019. Hand carved mango, pecan, lilly pilly timbers, and glass. 120 x 120 x 70 cm. Caloundra Regional Gallery, Image: Carl Warner
Light and pointless toolmaking. 2019. Resin casts with food items. Size variable. Caloundra Regional Gallery, Image: Carl Warner
Light and pointless toolmaking. 2019. Resin casts with food items. Size variable. Caloundra Regional Gallery, Image: Carl Warner
Light and pointless toolmaking. 2019. Resin casts with food items. Size variable. Caloundra Regional Gallery, Image: Carl Warner
Limn (video still). 2018. High definition video. 16.05 minutes.
This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body

Through the Mother. UQ Art Museum.

Through the Mother. Hallway coated with patchouli wax, St Johns Wort pressing wallpaper, hand carved spotted gum table with native pepperberry scented stools, aluminium shed frame, hanging dried flowers. Photo Simon Woods
Through the Mother. Hallway coated with patchouli wax, St Johns Wort pressing wallpaper, hand carved spotted gum table with native pepperberry scented stools, aluminium shed frame, hanging dried flowers. Photo Simon Woods
Through the Mother. Hallway coated with patchouli wax, St Johns Wort pressing wallpaper, hand carved spotted gum table with native pepperberry scented stools, aluminium shed frame, hanging dried flowers. Photo Simon Woods
Through the Mother. Hallway coated with patchouli wax, St Johns Wort pressing wallpaper, hand carved spotted gum table with native pepperberry scented stools, aluminium shed frame, hanging dried flowers. Photo Simon Woods
Through the Mother. Hallway coated with patchouli wax, St Johns Wort pressing wallpaper, hand carved spotted gum table with native pepperberry scented stools, aluminium shed frame, hanging dried flowers. Photo Simon Woods
Through the Mother. Hand carved spotted gum table with native pepperberry scented stools. Photo Simon Woods
Through the Mother. Hand carved spotted gum table with native pepperberry scented stools. Photo Simon Woods
Through the Mother. Hand carved spotted gum table with native pepperberry scented stools. Photo Simon Woods
Through the Mother. Hand carved spotted gum table with native pepperberry scented stools. Photo Simon Woods
Through the Mother. Tea Service using hand made porcelain cups, and a sedative tea recipe including valerian, passionflower, rooibos, hibiscus, and cinnamon. Photo Simon Woods
Through the Mother. Tea Service using hand made porcelain cups, and a sedative tea recipe including valerian, passionflower, rooibos, hibiscus, and cinnamon. Photo Simon Woods
Through the Mother. Facade window commission UQ Art Museum

The Other Plate. Installation developed through a year long residency with OzHarvest, installed at Adderton.
The Other Plate. 2019. Hand-printed wallpaper, customised vitrine with carved panels, dining utensils for sharing. Installation developed through a year long residency with OzHarvest, installed at Adderton. Image Greg Henderson
The Other Plate. 2019. Hand-printed wallpaper, customised vitrine with carved panels, dining utensils for sharing. Installation developed through a year long residency with OzHarvest, installed at Adderton.
The Other Plate. 2019. Hand-printed wallpaper, customised vitrine with carved panels, dining utensils for sharing. Installation developed through a year long residency with OzHarvest, installed at Adderton. Image Greg Henderson
The Other Plate. 2019. Hand-printed wallpaper, customised vitrine with carved panels, dining utensils for sharing. Installation developed through a year long residency with OzHarvest, installed at Adderton. Image Greg Henderson
The Other Plate. 2019. Hand-printed wallpaper, customised vitrine with carved panels, dining utensils for sharing. Installation developed through a year long residency with OzHarvest, installed at Adderton. Image Greg Henderson
Empty Inside. Kuiper Projects Brisbane
Untitled (blueberry). Acrylic kipfler print on linen. 95x95cm.
Untitled (blueberry). Acrylic kipfler print on linen. 95x95cm.
Untitled (blueberry). Acrylic kipfler print on linen. 95x95cm.
Licks (blueberry, banana, strawberry). Corn worms and saliva.
Licks (blueberry, banana, strawberry). Corn worms and saliva.
Licks (blueberry) detail. Corn worms and saliva.
Empty Inside installation documentation
MCA Sydney ARTBAR
Cheeseburn. Cheetos and Fairy lights. MCA ARTBAR – Curated by Lara Merrett, Museum of Contemporary Art Australia, February 2019, photograph: Liam Cameron
Cheeseburn. Cheetos and Fairy lights. MCA ARTBAR – Curated by Lara Merrett, Museum of Contemporary Art Australia, February 2019, photograph: Liam Cameron
Cheeseburn. Cheetos and Fairy lights. MCA ARTBAR – Curated by Lara Merrett, Museum of Contemporary Art Australia, February 2019, photograph: Liam Cameron
Final MFA exhibition. Frank Moran Gallery, QUT Kelvin Grove.

Kernel. Forton cast of butter sculpture on dining/studio table. 40x40x35cm
Limn. High definition video. 16.05 min. Camera: Ben Wickes
Kernel. Forton cast of butter sculpture on dining/studio table. 40x40x35cm
Limn (video still). High definition video. 16.05 min. Camera: Ben Wickes
Limn (video still). High definition video. 16.05 min. Camera: Ben Wickes
Kernel (detail). Forton cast of butter sculpture on dining/studio table. 40x40x35cm